Associate Professor, Graduate Coordinator
PhD, Queen's University
Area of Interest & Expertise
- Postcolonial literature and theory
- Contemporary Anglophone African fiction
- Studies in cosmopolitanism and human rights
- Theories of affect and emotion
Recent Upper Division & Graduate Courses Taught
- ENGL 6250: Postcolonial Humanities
- ENGL 3190: Contemporary African Fiction
- ENGL 4340: Postcolonial Literature and Human Rights
J.M. Coetzee and the Limits of Cosmopolitanism. New York: Palgrave Macmillan, 2013.
“The Empires Write Back: The Language of Postcolonial Nigerian Literature and the United States of America.” Comparative Literature 71.2 (2019): 123-38.
“An Art of Hunger: Gender and the Politics of Food Distribution in Zakes Mda’s South Africa.” Journal of Commonwealth Literature 53.3 (2018): 379-93.
“J.M. Coetzee’s Literature of Hospice.” MFS: Modern Fiction Studies 62.3 (2016): 481-98.
“‘To Be from the Country of People Who Gave’: National Allegory and the United States of Adichie’s Americanah.” Studies in the Novel 27.2 (2015): 231-45.
“Humanitarianism and the Humanity of Readers in FEMRITE’s True Life Stories.” English Studies in Africa 57.2 (2014): 57-68.
“Literary Cosmopolitanisms in Teju Cole’s Every Day is for the Thief and Open City.” ARIEL 44.2-3 (2013): 239-50. (Appeared 2014).
“Sympathy and Cosmopolitanism: Affective Limits in Cosmopolitan Theory.” Culture, Theory and Critique 54.1 (2013): 88-101.
Chapters in edited collections
“Still Waiting? Writing Futurity after Apartheid.” South African Writing in Transition. Eds. Rita Barnard and Andrew van der Vlies. London: Bloomsbury Academic, 2019. 77-98.
“Cosmopolitanism and Orality in Okey Ndibe’s Foreign Gods, Inc.” The Limits of Cosmopolitanism: Globalization and Its Discontents in Contemporary Literature. Eds. Aleksander Stević and Philip Tai-Hang Tsang. New York: Routledge, 2019.
“Sympathetic Shame in J.M. Coetzee’s Disgrace and Diary of a Bad Year.” Postcolonial Audiences: Readers, Viewers and Reception. Eds. Bethan Benwell, James Proctor, and Gemma Robinson. London: Routledge, 2012. 222-33.
Review of Approaches to Teaching Coetzee's Disgrace and Other Works. Eds. Laura Wright, Jane Poyner, and Elleke Boehmer. Canadian Journal of African Studies / Revue canadienne des études africaines. 51.2 (2017): 322-24.
Recent Conference Presentations
“American Universities and New African Fiction.” Sites of Production and Productivity: Universities and Professional Organizations. African Literature Association Conference, Columbus, OH, 14-18 May 2019.
“Provincializing the American-as-‘Global’.” From the Venice Biennale to Wakanda: Cultural Production and Reconfigurations of Africa. Annual Meeting of the African Studies Association, Atlanta, GA, 29 Nov. – 1 Dec. 2018.
“Neoliberal Crisis and American Dreams of South Africa.” The Crisis of the Future/The Future in Crisis: The Aesthetics of Futurity in the Post-Global Present. Annual Meeting of the American Comparative Literature Association, UCLA, 29 Mar. - 1 Apr. 2018.
Current Research Projects
"African Literature of the American Dream: Postcolonial Optimism and U.S. Empire" (book manuscript in progress).
This study unsettles literary chronologies that chart a growing disillusionment with notions of postcolonial national development across the twentieth and twenty-first centuries. Ranging from fiction that addresses recurrent calls for constitutional reform in Nigeria to that which considers chronic efforts to overhaul South African credit systems, it asks why national dreams have proven remarkably resilient, even and especially when hopelessness seems widespread. By considering this question through a comparative lens that reads African literature in relation to U.S. imperialism, the book demonstrates how U.S. empire is sustained through cycles of optimism and disappointment that render educational and financial institutions central to visions of national becoming. Marshalling literary criticism, political theory, and anthropological studies from across continents, "African Literature of the American Dream" offers a distinctive framework for interpreting both classic postcolonial fiction and recent African novels set in the U.S.