MA in Screen Studies, Oklahoma State University
BS in Mass Communication, Shepherd University
- History of American cinema
- Film training and professionalization
- Film festivals
- Experimental film and literature
- Global fiction, post-1945
- ENGL 1113: Composition I
- ENGL 1213: Composition II
- ENGL 2413: Introduction to Literature
- ENGL 2453: Introduction to Film and Television
- ENGL 3453: History of American Cinema
Selected Conference Presentations
"The Post-Fordist Film School." Society of Cinema and Media Studies (SCMS). Seattle, Washington. March 2019.
"Experimental TV: The Children's Television Workshop and the Avant-Garde." Society of Cinema and Media Studies (SCMS). Toronto, Canada. March 2018.
"Jane Campion presents Julia Leigh: Mentorships at the International Film Festival." MPCA/ACA Regional Conference. Chicago, Illinois. October 2016.
Awards and Recognition
- Houston-Truax-Wentz Travel Award, Spring 2019
- Houston-Truax-Wentz Travel Award, Spring 2018
- Leonard J. Leff Film and Media Studies Award, Spring 2016
- Society of Cinema and Media Studies (SCMS)
Current Research Projects
My dissertation project is concerned with practice-based film, television, and media education programs and their development under the logic of neoliberalism and post-Fordist production. Relevant case studies include University of California, Los Angeles (UCLA), University of Southern California (USC), and New York University (NYU); Savannah College of Art and Design (SCAD), Santa Fe Community College (SFCC), and Oklahoma City Community College (OCCC); and production programs associated with CILECT (The International Association of Film and Television Schools), such as Beijing Film Academy (BFA) and Australian Film, Television, and Radio School (AFTRS).
In addition to researching and writing my dissertation, I am also drafting an article about the professionalization of first-time or up-and-coming filmmakers via mentorship practices and the impact those mentorship relationships can have on the international reception of said filmmakers. I use as my primary case study Jane Campion's mentorship of Julia Leigh and Leigh's subsequent selection to the 2011 Cannes Film Festival. The article is provisionally titled "Jane Campion presents Julia Leigh: Mentorship and Its Industrial Practices."