Dillon Hawkins, PhD student in Screen Studies

MA in Screen Studies, Oklahoma State University
BS in Mass Communication, Shepherd University

Research Interests

  • History of American Cinema
  • Film Training and Professionalization
  • Film Festivals
  • Experimental Film and Literature
  • Global Fiction, Post-1945

Courses Taught

  • ENGL 1113: Composition I
  • ENGL 1213: Composition II
  • ENGL 2413: Introduction to Literature
  • ENGL 2453: Introduction to Film and Television
  • ENGL 3453: History of American Cinema 

Selected Conference Presentations

"The Post-Fordist Film School." Society of Cinema and Media Studies (SCMS). Seattle, Washington. March 2019. (accepted) 

"Mockbusters and Professionalization in Late-New New Hollywood." PCA National Conference. Washington, DC. April 2019. (accepted)

"Experimental TV: The Children's Television Workshop and the Avant-Garde." Society of Cinema and Media Studies (SCMS). Toronto, Canada. March 2018.

"Jane Campion Presents Julia Leigh: Mentorships at the International Film Festival." MPCA/ACA Regional Conference. Chicago, Illinois. October 2016.

Professional Appointments

  • Webmaster, OSU English Department, 2015-present
  • Projectionist, Exciterbulb Film Series, 2012-present 
  • Webmaster, OSU First Year Composition Program, 2014-2015

Awards and Recognition

  • Houston-Truax-Wentz Travel Award, Spring 2018
  • Leonard J. Leff Film and Media Studies Award, Spring 2016

Current Research Projects

My dissertation project is concerned with practice-based film and television education programs and their development under the logic of post-Fordist production. Relevant case studies include University of California, Los Angeles (UCLA), University of Southern California (USC), and New York University (NYU); Savannah College of Art and Design (SCAD), Santa Fe Community College (SFCC), and Oklahoma City Community College (OCCC); and production programs associated with CILECT (The International Association of Film and Television Schools), such as Beijing Film Academy (BFA) and Australian Film, Television, and Radio School (AFTRS). The dissertation is provisionally titled "The Post-Fordist Film School."