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Reading List for the MA Qualifying Examination
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Dryden |
Absalom and Achitophel |
Pope |
Essay on Man; The Dunciad |
Montagu |
"The Lover: A Ballad" |
Collins |
"Ode on the Poetical Character" |
Gray |
"Elegy Written in a Country Churchyard" |
Johnson |
"The Vanity of Human Wishes" |
(writers such as Blake, Wordsworth, Byron, Tennyson, Browning, and Arnold)
Blake |
The Marriage of Heaven and Hell |
Wordsworth |
"Tintern Abbey"; "Resolution and Independence" |
Coleridge |
The Rime of the Ancient Mariner |
Keats |
"Ode on a Grecian Urn" |
Tennyson |
In Memoriam |
Swinburne |
"The Garden of Proserpine" |
(writers such as Wycherly, Congreve, Goldsmith, Sheridan, Byron, and Wilde)
Dryden |
All for Love |
Behn |
The Rover |
Congreve |
The Way of the World |
Byron |
Manfred |
Wilde |
The Importance of Being Earnest |
Dryden |
"Of Dramatic Poesy: An Essay" |
Johnson |
Lives of the Poets (selections) |
Coleridge |
Lectures on Shakespeare (selections) |
Arnold |
"The Function of Criticism at the Present Time" |
(writers such as Behn, Defoe, Fielding, Sterne, Hardy)
Swift |
Gulliver's Travels |
Richardson |
Pamela |
Radcliffe |
The Mysteries of Udolpho |
Austen |
Pride and Prejudice |
Dickens |
Bleak House |
Thackeray |
Vanity Fair |
Eliot |
Middlemarch |
Return to Area Reading Lists Page
English Department
College of Arts & Sciences
Oklahoma State University
205 Morrill Hall
Stillwater, OK 74078
Phone: 405-744-9474
For Information about English Programs: english.information@okstate.edu
Webmaster: engweb@okstate.edu
A student with "organic knowledge" of the reading lists will
1. understand the way individual texts reflect the material and intellectual conditions of the time of their production; this means that the student can perceive an author's work in reference to history, including literary or film history, and to contemporary social and philosophical issues;
2. consider the way texts exemplify the major concerns and formal features that critics have associated with literary or film periods, movements, and genres; further, the student will be aware of the ways that texts change, depart from, or undermine the conventions of movements or periods to which they belong;
3. in summary, be able, on request, to forge links between author or filmmakers, their individual works, and various intellectual, social, and aesthetic traditions, when applicable.