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Brian Price

Assistant Professor
PhD, New York University


Areas of Interest & Expertise

  • Film Theory
  • Color
  • International Cinema
  • Avant-garde Film and Video
  • Continental Philosophy
  • Aesthetics

Selected Publications

 

Neither God Nor Master: Robert Bresson and the Modalities of Revolt (University of Minnesota Press, forthcoming).

Co-editor with John David Rhodes, On Michael Haneke (Wayne State University Press, forthcoming).

Co-editor with Angela Dalle Vacche , Color, the Film Reader (Routledge, 2006).

“On Compromises,” World Picture 3 (Summer 2009): www.worldpicturejournal.com.

“Sobre el cine de Catherine Breillat,” in La Fuga, an online journal out of Chile:
www.lafuga.cl/sobre-el-cine-de-catherine-breillat/285. This is a translation of my essay on Breillat in Senses of Cinema.

"Bureaucracy and Visual Style," in The Companion to Michael Haneke, ed. Roy Grundmann (London: Blackwell, forthcoming)

"Moving Through Images," in The Place of the Moving Image, eds. John David Rhodes and Elena Gorfinkel (Minneapolis: University of Minnesota Press, forthcoming)

"Art Cinema and Cosmopolitanism Today," in Global Art Cinema, eds. Rosalind Galt and Karl Schoonover (New York: Oxford University Press, forthcoming)

"Nine Theses on the Failures and False Start of Filmic Ontology," The Velvet Light Trap 64, Fall 2009.

“Heidegger and Cinema” in European Film Theory, ed. Temenuga Trifonova (New York and London: Routledge, 2008).

"The Latest Laocoon: Medium Specificity and the History of Film Theory," in Handbook of Film and Media Studies , ed., Robert Phillip Kolker (New York: Oxford University Press, 2008).

"Labor Thought Theory: On Beller and Frampton," New Review of Film and Television Studies, Vol. 6:1 (April 2008), 97-109.

"Writing at the Limits of Reason," World Picture 1 (Spring 2008): www.worldpicturejournal.com

“Sontag, Bresson, and the Unfixable,” PostScript, Vol. 26, no. 2, (Winter/Spring 2007).

"Pain and the Limits of Representation," Framework 47.2, (Fall 2006).

"Color, the Formless, and Cinematic Eros," Framework 47.1 (Spring 2006).

Honors & Offices

  • Co-editor, with Meghan Sutherland and John David Rhodes, of World Picture, an online journal of cultural theory and media: worldpicturejournal.com
  • Co-founder and co-organizer of the annual World Picture Conference at Oklahoma State University.
  • Co-director and core faculty member of the ReSet seminar on Philosophy and Media, a three-year long seminar in Kharkive Ukraine, funded by The Open Society Institute.
  • Member of the Professional Development Committee, Society of Cinema and Media Studies (2009-2012).

Recent Grants & Research Trips

  • OSU Arts and Sciences Research Award, 2006
  • Fae Rawdon Norris Endowment for the Humanities Grant, 2006 and 2007
  • Oklahoma Humanities Council Grant, 2006
  • Dean's Incentive Grant, OSU, 2006 and 2007

Recent Conference Presentations and Invited Talks

 

"Being-with-Images," Film-Philosophy Conference, Dundee, Scotland, July 17, 2009.

"Being-with-Images," XVI Udine International Film Studies Conference Permanent Seminar on History of Film Theories, Udine, Italy, March 24, 2009.

"The Sacred and the Violent: On Film Style," University of Minnesota, November 20, 2008.

Panelist on round table on Caché, Philoctetes Center, New York, November 8, 2008, with Roy Grundmann, Garrett Stewart, and Brigitte Peucker.

"On Compromises," The World Picture Conference, Oklahoma State University, October 24, 2008.

Current Research & Projects

I am currently at work on two books, Fables of Causality: Cinema after Metaphysics and The Global Dérive: Olivier Assayas and Relational Aesthetics.


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Oklahoma State University
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