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Duke PestaAssistant Professor Areas of Interest & Expertise
Recent Upper Division and Graduate Courses TaughtGraduate Seminar:
Upper Division Undergraduate Courses:
Selected Publications
Book (Edited): Lord Byron . In Bloom's Bio Critiques
Series of Important Authors. Series ed. Harold Bloom. (
New York: Chelsea House Publishers, February, 2004). Articles: "Articulating Skeletons: Hamlet, Hoffman and the Anatomical Graveyard." Cahiers Elisabethains (Spring 2006). "'This Rough Magic I Here Abjure': Shakespeare's The Tempest and the Fairy-Tale Body." The Journal of the Fantastic in the Arts (Volume 15, No. 1, Spring 2004) 49-60. "Redressing Crossdressed Shakespeare." Academic Questions: The Journal of the National Association of Scholars (Vol. 16, No. 3, Late Summer 2003) 49-66. "Darkness Visible: Byron and the Romantic Anti-Hero." In Lord Byron ( New York: Chelsea House Publishers, February 2004) 59-84. Honors & Offices
Recent Grants & Research Trips
Recent Conference Presentations
"Creation and Desecration in Columbo's De Re Anatomica and Shakespeare's King Lear," Shakespeare Association of America International Convention, Philadelphia, PA, April 2006. "Marlowe's Doctor Faustus and the Anatomy Lesson of Doctor John Banister," Shakespeare Association of America International Convention, Bermuda, April 2005. "'Where the Philosopher ends, the Physician Begins': Marlowe's Doctor Faustus and the Practice of Human Dissection," Shakespeare Association of America International Convention, New Orleans, LA, April 2004. Current Research & Projects"'My Well-Known Body to Anatomize': Shakespeare and the Drama of Dissection," a book manuscript examining the plays of Shakespeare in connection with the burgeoning study of human dissection. This interdisciplinary study incorporates Shakespearean drama, early-modern configurations of the body, the history of medicine and science, and Elizabethan popular culture. Due in large part to the advances of continental anatomists like Andreas Vesalius, English medical institutions in the sixteenth century underwent a rapid program of modernization. Human dissection became the foundation of these newly transformed institutions. By the middle of the sixteenth century, dissections had become so popular that anatomical theaters were constructed for the public performance of anatomies. It is my thesis that these public performances of the dissected body had profound consequences for the Elizabethan dramatic theaters in general, and for Shakespeare in particular. English Department |
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