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Timothy S. Murphy


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Timothy S. Murphy (center) with Giorgio Agamben (L) and Antonio Negri (R), Venice, 2006 

Address: 314A Morrill
Phone: 405-744-5545
Message: 405-744-9474
E-mail: timothy.murphy@okstate.edu 

Houston-Truax-Wentz Professor of English
Regents Professor of English

 PhD, UCLA


 Areas of Interest & Expertise

  • Modern & contemporary fiction
  • Critical theory (post-structuralism, modernism/postmodernism, Marxism, globalization studies)
  • Science fiction & fantasy
  • Science studies
  • Music & literature 

Recent Courses Taught

  • Survey of Fantasy Fiction
  • Survey of Science Fiction
  • Global Fiction Since WWII
  • Jazz, Blues & American Literature
  • Education Terminable & Interminable
  • Obscenity in Literature & Law
  • Literary Utopias & Dystopias

Selected Publications

Books:

Antonio Negri: Modernity and the Multitude (Cambridge: Polity Press, 2012)

Wising Up the Marks: The Amodern William Burroughs (Berkeley:  University of California Press, 1997) - named a Choice Outstanding Academic Book for 1998

Translated Books, Edited Books & Special Journal Issues:

Translation editor and introducer of Luisa Muraro, The Symbolic Order of the Mother (Albany: SUNY Press, forthcoming 2017)

Special issue co-editor (with Benjamin Noys) of Genre: Forms of Discourse and Culture 49:2 (July 2016), Old and New Weird

Translator of Antonio Negri, Flower of the Desert: Giacomo Leopardi’s Poetic Ontology (Albany: SUNY Press, 2015)

Symposium co-editor (with Giuseppina Mecchia) of Theory and Event 18:4 (October 2015), Futures of Empire

Special issue editor of Genre: Forms of Discourse and Culture 46: 2 (summer 2013), Homo Liber: Essays in Honor of Antonio Negri; Korean translation forthcoming

Translator of Antonio Negri, Trilogy of Resistance (Minneapolis: University of Minnesota Press, 2011) – nominated for the Aldo & Jeanne Scaglione Prize for Literary Translation

Special issue co-editor (with Ronald Schleifer) of Genre: Forms of Discourse and Culture XLIII: 3-4 (fall/winter 2010), Needful Things: Translations of Media, Language and Culture

Co-editor (with Abdul-Karim Mustapha) of The Philosophy of Antonio Negri Volume 2: Revolution in Theory (London: Pluto Press, 2007)

Special issue co-editor/translator (with Max Henninger and Giuseppina Mecchia) of Sub-Stance 112 (36:1 [2007]), Post-Workerist Thought

Editor/co-translator (with Arianna Bove, Ed Emery and Francesca Novello) of Antonio Negri, Books for Burning: Between Civil War and Democracy in 1970s Italy (London: Verso, 2005)

Co-editor (with Abdul-Karim Mustapha) of The Philosophy of Antonio Negri: Resistance in Practice (London: Pluto Press, 2005); Korean translation published by Galmuri, Seoul, 2010

Editor/translator of Antonio Negri, Subversive Spinoza: (Un)Contemporary Variations (Manchester: Manchester University Press, 2004)

Special issue editor of Genre: Forms of Discourse and Culture XXXIII: 3-4 (fall/winter 2000), Desert Island Texts

Special issue co-editor (with Robert Smith and Roy Sellars) of Angelaki 3:2, The Love of Music (1998)

Book Chapters & Journal Articles, 2005-present: 

"Supremely Monstrous Thought: H.P. Lovecraft and the Weirding of World Literature" in Genre: Forms of Discourse and Culture 49:2 (July 2016), Old and New Weird

“How (Not) to Translate an Unidentified Narrative Object or a New Italian Epic” in Natalia Rulyova and Garin Dowd, eds., Genre Trajectories: Identifying, Mapping, Projecting (New York: Palgrave, 2015), pp.109-129

“The Test is Company: A Deleuzian Speculation on Beckett’s Sociendum in Stephen Wilmer and Audrone Zukauskate, eds., Deleuze and Beckett (New York: Palgrave, 2015), pp.111-134

“The Risk of Subjectivity: Negri Beyond Adorno” in Antonio Calcagno, ed., Contemporary Italian Political Philosophy (Albany: SUNY Press, 2015), pp.243-269

“Co-Research, Collaboration, Commonwealth” in Giuseppina Mecchia & Murphy, eds., Futures of Empire, a symposium in Theory and Event 18: 4 (October 2015)

 “Introduction” to Antonio Negri, Pipeline: Letters from Prison (Cambridge: Polity Press, 2014), pp.1-12

“Self-Nomination and Autonomy: A Reply to Ben Trott” in Global Discourse 3:3-4 (2014), pp.426-429; reprinted in Matthew Johnson, ed., Precariat: Labour, Work and Politics (New York: Routledge, 2014)

“Pathogenesis, Financialization, and the Politics of Time” in Óscar García Agustín & Christian Ydesen, eds., Post-Crisis Perspectives: The Common and Its Powers (Frankfurt: Peter Lang, 2013), pp.143-159

“Flower of the Desert: Poetics as Ontology from Leopardi to Negri” in Genre 44: 1 (spring 2011), pp.75-91; Japanese translation in Yutaka Nagahara, ed., Restoration of Political Economy and Political Philosophy (Tokyo: Hosei University Press, 2011), pp.293-320

“The Workerist Matrix: Introduction to Tronti and Cacciari” in Genre: Forms of Discourse and Culture XLIII: 3-4 (fall/winter 2010), Needful Things: Translations of Media, Language and Culture, pp.327-336

“Random Insect Doom: The Pulp Science Fiction of Naked Lunch”in Oliver Harris & Ian MacFadyen, eds., Naked Lunch@50: Anniversary Essays (Carbondale: Southern Illinois University Press, 2009), pp.223-232

“The Negation of a Negation Fixed in a Form: Luigi Nono and the Italian Counter-culture 1964-1979” in Cultural Studies Review XI: 2 (September 2005), pp.95-109 

Honors & Offices

  • General Editor, Genre: Forms of Discourse and Culture, 2000-2013
  • Executive Editor, Angelaki: Journal of the Theoretical Humanities (winner, 1996 Best New Journal Award given by the Council of Editors of Learned Journals), 1993-Present
  • Series Editor, Angelaki Humanities, published by Manchester University Press, 1998-Present
  • English Translation Coordinator of the Deleuze Web, http://www.webdeleuze.com,1996-2003
  • Site Manager (with Robert Thomas) of the “Amnesty for Antonio Negri” website at http://lists.village.virginia.edu/~forks/TNmain.htm, 1997-2003
  • MLA Division Delegate for Philosophical Approaches to Literature, 2002-2004
  • Director of Graduate Studies, University of Oklahoma Department of English, 2006-2010

Current Research & Projects

A study of modernist science fiction, focused on the work of William Hope Hodgson, H.P. Lovecraft, Olaf Stapledon, & their literary heirs such as Doris Lessing & China Miéville

A study of the relationship between musical improvisation & radical democracy, focused on the international free jazz & free improvisation movements in the US, UK, Canada, Italy & Japan